WE CAME AS ROMANS Live In Concert!”DARKBLOOM II TOUR”+ Support By: EMMURE, BODYSNATCHER, ARCHETYPES COLLIDESince the release of the milestone debut album, 2009’s To Plant a Seed, diehard fans depend on We Came As Romans to deliver intimate, confessional, and autobiographical anthems, each one challenging, triumphant, and passionate. Darkbloom is a bright light in the darkness with the strength of every WCAR album before it. Singer David Stephens, guitarist Joshua Moore, bassist Andy Glass, guitarist Lou Cotton, and drummer David Puckett usher in an ambitious, courageous new era, while honoring the legacy and memory of their fallen bandmate, co-vocalist and keyboardist Kyle Pavone. We Came As Romans’ initial ascent was quick and assured, catapulting the band (who met as teens) into the hearts of diehard fans immersed in the metalcore, post-hardcore, and Warped Tour subculture. Their hook-filled heavy music carried an uplifting message and connects with even greater urgency live. The increasingly diverse catalog of metallic might, melodic strength, and electronic atmosphere soars in clubs, theaters, and fests. They’ve supported tastemaker acts like Bring Me The Horizon, I Prevail, A Day To Remember, Falling In Reverse, Bullet For My Valentine, and The Used.
CARNIFEX Live In Concert!”NECROMANTEUM U.S. TOUR”+ Support By: SIGNS OF THE SWARM, TO THE GRAVE, THE LAST 10 SECONDS OF LIFE
SHAGGY 2 DOPE Live In Concert!”The Quest For The Ultimate Groove Tour Part Deux”+ Support By: DJ CLAY
OTTO + BASTARDANE Live In Concert!
THRICE Live In Concert!”The Artist In The Ambulance Tour “+ Support By: ’68 Since forming Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility. Scott Evans (Sleep, Kowloon Walled City, Yautja, Town Portal) is on mixing duties, conjuring a landscape of gloom, glow, and glory. On “Buried in the Sun,” which had the working title of “D.C. Bass,” the band’s fondness for bands like Fugazi and Frodus comes to the fore. In it we learn that there’s a military-industrial complex, a vast apparatus of legal bullying, to take on (I saw the fire on the television/the DoD or the CIA), but the threat to our mental health in acknowledging our own country’s participation in the terror trade is both immersive and interior. The psychic struggle will often come down to what we’re doing with our tools, how we hold what passes before our minds in dreams and on screens. There’s a lot to take in and a lot to be mad about, but Horizons/East invites us to slow tape and see.
ORTHODOX Live In Concert!+ Support By: CHAMBER, CELL
VOMIT FORTH Live In Concert!+ Support By: SILENUS